A new creation is born from the day-to-day work in the workshop.

The idea appears, manifests itself, and this allows for endless possibilities.
variants that, when made of wood, have their own needs.

Let the material tell its own story.

Just as the grain of wood bears the imprint of a tree's age, and a knot is where a branch grew, by learning to connect we see that the piece is already imprinted in the material.

His workshop is set up on a trailer in the middle of a forest of poplars, acacias and ancient pines.

He deeply respects and admires nature. The process of
Production is laborious: wood demands physical effort. It's important not to overexert yourself, but the wood repays all that effort in every grain.

He uses hand tools, something he enjoys and focuses on the simplicity of the piece. He works in series, which allows him to develop many variations of a single form.

He likes to start with an object, which may or may not be utilitarian, and gradually deform it until it reaches its most sculptural version. He works with pruning wood and logs.

Magdalena López Frugoni es una artista contemporánea
que reinterpreta el quipu, un sistema de comunicación y
registro utilizado por las civilizaciones andinas a través
de nudos.

Su práctica abarca tanto intervenciones espaciales como
colecciones de piezas portables, donde utiliza materiales
y técnicas ancestrales para crear obras sensoriales y
poéticas.